January 3, 2016
The concept of training plants into topiary is a centuries old tradition. Topiary is the horticultural practice of training live perennial plants by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, whether geometric or fanciful. The term also refers to plants which have been shaped in this way, as an art form it is a type of living sculpture. The plants used in topiary are evergreen, mostly woody, have small leaves or needles, produce dense foliage, and have compact and/or columnar growth habits. I’d say the most common species chosen for topiary is the boxwood or “European box” however arborvitae, bay laurel, holly, myrtle, yew and privet are all widely used. I love a simple boxwood ball (or may as the case my be above). It’s such a happy shape, the form is classic, the technique time honored.
This is a perfect example of how adaptable boxwood is, look at how sharp this stair detail is. It’s just so chic. The picture below was inspiration for a “redo” of our small garden in front of the beach house. We pulled out everything but a climbing rose and planted different sized boxwood spheres. For greater visual interest we under planted with bulbs of white tulips and purple allium. I can’t wait for spring!
And this is my back yard in the City. The garden is asleep (taken late november) but the form of the boxwood is something I count on in the winter months to give the yard color, and structure. Please excuse the sofa cover. There is nothing prettier than a dusting of boxwood on a boxwood.
Above is an image of my garden a few years ago and a different application of boxwood, grown into a knot garden. We planted different types of hosta in each of the diamond shapes formed by the boxwood. In my head it looked like the image below, maybe not quite… But you gotta start somewhere. The Dogwood tree is certainly bigger now, and the X’s more clearly clipped.
December 31, 2015
This is my Jam! I love the creamy natural vibe of these spaces, these finishes and the relaxed, natural aesthetic (drink) they present. I don’t miss the patterns, the colors… I don’t miss anything that isn’t in this range, everything I need in a room is right here… The white,the leather, the polish and the rough… perfection.
Same goes for this kitchen… the Walnut/Teak tone of the wood and the marble and the white and the polish… thats all, thats everything.
Of course there is a style to the furnishings that is also VERY compelling. I’d say these are all pretty contemporary spaces, but the warm natural elements keep these rooms feeling warm and inviting. There is a mid-century vein running through these images that feels authentic and not kitschy. I like it.
HAPPY NEW YEAR EVERYONE!
December 23, 2015
I am excited to be working with clients on this South Coast new construction project. They are lovely people and we seem to be very in-sync so the job should be a good one. I’m currently fine tuning floor-plans and designing built-in mill work, and have recently scoured my Instagram feed for inspiration.
The pieces I’m working on currently are an oversized entertainment center with sliding doors and tall narrow cabinets for either side of the Library’s fireplace. The Library will be used as office space so the lateral file drawers at the bases are key. I’m going to something more decorative on the doors and like the idea of the door designs to echo the pattern we choose in the Great Room, so I’m drawing with many door styles to give the client options. This room told me how it needed to be laid out based on the views and where the TV would eventually end up. I like this final concept for the floor plan, we had others but this seems to suit the room and all of our needs. I pushed for back to back sofas, but ultimately I had to concede (the TV won).
Floor-planning and drawing is really the second step after tile and stone and other finishes are identified, and i really like each step in the process of designing a home for clients, but I think I like color and fabric selection best. Even though the house is traditional, the client wants something a bit more transitional inside. This gives me an opportunity to mix in some more modern pieces and take the palette to something a bit more tonal and neutral than I might have with a more traditional client guiding me. You probably already know I couldn’t be happier to be showing them Grey, Camel and Cream.
December 19, 2015
Happy Holidays and Merry Christmas! It’s been a while I know… I’m sorry. Life has been very full lately and business has kept me away from most of my favorite distractions (including this blog). But here I am! And it’s almost Christmas. Here is how I’ve been getting ready for the season…This years front porch look is Pinecones and bright green moss. I worked them into a basic (store bought) wreath of pine and added sugared berries for a punch of red. I like the biggest wreath possible so it reads from the street. When you decorate your house or porch remember to step back (way back, like across the street back) to get a good look at how your decorations appear from further away. And, remember that the front door is where all your holiday company passes, so sweat the small stuff too. You have to think BIG and small when you’re designing the front door and/or porch.
It’s become a tradition fo me to decorate the chandelier in our front hall. I love the impact it creates, there is a nod to Victorian times – 1907 technically our house is Edwardian, but it that’s ok – and yet it’s still an unexpected flourish guests live to discover. Here is an image taken mid flourish! The Elf lept to his death so I took it as a sign and left him off the light fixture entirely.Below is a close up of the foyer table. More of the same items, but grouped in bunches. I like a theme to my decor, be it holiday or day to day. Keep it tight and orderly for a seamless look. Stay on message so your look stays strong.It hasn’t snowed a single flake, but I’m doing my best to get into the sprit of Christmas. I’ve got a fire lit and I’m crafting old Christmas cards into gift tags. These make great gifts for folks on my list, a little something, something everyone needs, useful and not another piece of bric-a-brac… and it’s recycling, so it makes it a green activity (reducing my carbon foot print the fire is most likely creating)I’m sorry Ginger, that I didn’t post around Thanksgiving… so just for you, here are some images of that celebration. I hope all of you and yours had an amazing day filled with family, fun and love.
July 18, 2015
It’s a toss-up really, what do I love more? The board and batten siding, the metal roof, the shed dormers or the deep porches? I’ll tell you it all adds up to something pretty wonderful. But I think what it really is for me is the sharp cleanliness of these exteriors. Charming and certainly of a farm vernacular, but unfussy, simple details that keep it more contemporary and cute. I’m smitten.
All of these are different houses. The “flaws” are that neither porch is screened and the enormous interior volume is such a waste of space, albeit pretty. If I were building I don’t know that I could give that much square footage away… but that giant widow makes the first house so great. There is nothing better than natural light. The second house seems “perfect” from the outside, but I don’t love the landscaping. there is a wee bit too much pea gravel for me. That’s not really complaining too much. The third house is a bit easier to pick apart. Don’t like the mix of the gravel color, the red brick and the cement and paver walkway. Thats a few too many masonry styles for me, thanks. The “fix” would be to white wash the brick, and pour a gravel that better matches the paver walkway. The sliders tucked under the lower roof line should have been a set of french doors. But don’t get me wrong, I like the house I’m just being nit-picky today.
I guess I love the idea of not making a house that is clearly of this decade. The details and design decisions in these pictures all give the spaces a nod to a time gone by, a wink to tradition without feeling like they were indented to fool anyone into thinking they were 100 year old rooms. The pocket doors on the bar are a nice detail. Closed it could be a pantry, or who knows… open it keeps guests out of the kitchen when they need a refill. you gotta love that. I say if you have enough storage, there’s nothing prettier than a leggy sink. We look right past the expected base cabinet/sink set-up because it is so “standard”, but look at the showstopper the sink becomes with sexy nickel plated legs! Va-va-va-voom.
June 5, 2015
This story is from http://www.boredpanda.com I try to create as much original content as I can, but this is too cool to not share, and I’ve been pretty bad as of late in posting so….
Elora Hardy left a successful career in the NY fashion scene to build bamboo houses in Indonesia. The Bali resident and her team have spent the last 5 years revolutionizing bamboo construction in the belief that it is an underused but ideal renewable resource. Hardy uses boron, which occurs naturally in nature, to treat the bamboo and make it indigestible to insects.
Hardy was inspired by her father, who “chose bamboo for all of the buildings on campus, because he saw it as a promise,” she explains in her TED talk. “It’s a promise to the kids. It’s one sustainable material that they will not run out of. And when I first saw these structures under construction about six years ago, I just thought, this makes perfect sense…Why hasn’t this happened sooner, and what can we do with it next?”
Bamboo has the compressive force of concrete, the strength-to-weight ratio of steel, and is one of the fastest growing plants in the world. Damage from insects and moisture are its primary weaknesses, but if treated, bamboo structures can last a lifetime.
April 5, 2015
I regret not taking some pictures while I was in the process of creating these blue and white Chinese pottery themed Easter Eggs so that I could make this post a “How To”. I only have the “pretty” pictures to show you but I will explain my technique. I will tell you the hardest part was keeping my fingers clean and not smudging the fresh white egg with food coloring. Once I mastered holding the egg in play with a paper towel and blowdrying the egg as I painted, the lot of them happened in just a few hours.
Before I began I gathered Q-tips, a few toothpicks and lacking a tiny paint brush I grabbed a lip-stick brush from a make-up kit (but the brush was less predictable than the Q-tip, so skip it). I layer a barrier of plastic and then layed paper towels to make a “place mat” to work on. For the Dye I used blue food coloring right out of the bottle. I used some full strength, and for the lighter blues I mixed food coloring with white vinegar (avoid cider vinegar it will change the color of your dye). I googled “Chinese blue and white pottery images” to use a few pictures for reference and borrow styles and designs for my patterns. When you’re ready to start decorating hold the egg in one hand with a paper towel and paint with the other hand. Before you roll the egg in your palm or paint too far around the egg, hit it softly with a hair dryer to dry the dye to avoid smudging. it’s really that simple.
I am a self-confessed collector (almost hoarder) AND I love to put out seasonal decor. I find that kept in groups and displayed similarly my collections make a stronger impact and keep the house from looking cluttered. I prefer handmade items and a soft colored palette but if you prefer a lot of color or stronger impact go for it! To display my Easter decorations I like to use my collection on ironstone tureens. Yes, that a collection to display another collection… genius huh? lol. The bunny collection is a tradition I have with my husband. Each year he gets a small bunny in his Easter Basket. We’ve been together 21 years, I started this idea a few years late so the bunny count is only up to 16 or so.
These eggs (below) I made a year or two ago. I must have have more time on my hands back then because I blew the eggs, dyed them and set them with beads. Elmer’s white glue is easy to work with and dries clear. I love the texture and sparkle but my favorite from this group (not pictured) is an egg I left white and applied white beads to. White on white, so clean and fresh and pretty. I hope you have a lovely Easter holiday and you have fun on whatever creative project you decide to tackle this year!