January 13, 2013
Being an interior designer is a funny thing. You create environs for others to live in and during that process, you negotiate… you are the curator but the result must be something the client likes, you are striving for good design, taste, scale, aesthetic but ultimately the client will pay for it, own it and live with it. There are handfuls of designers that execute their own style every time the decorate for a client. This client is typically wealthy beyond your typical well-off client and emotionally removed from the project in some way ( It’s hard to care about a ski house in Aspen when your on Mustique with family and worried about your New York City apartment not being ready when you get back from vacation). Those clients exist, they are great clients to have but most people spending tens (ok 100’s ) of thousands on the interiors of a home are invested, have an opinion and want a certain look. You’re a lucky designer if they tell you they want “your look”.
I get pretty charged when I fall for something, a sofa, piece of art, a certain print fabric, a rug… I fall hard and I hit an emotional brick wall when client don’t respond to said item the way I have. I bounce back, I have to and I learn something about the client along the way, his/her likes or dislikes and I move on… But a tiny little piece of my creative soul dies – trust me it is minuscule and there is plenty of creative soul in me, I can afford to lose that weight! But the project doesn’t stay on the route I saw it taking, even if we end up at the same place in the end, forks in the road are not certain when there is a client who approves ( or disapproves ) colors, furnishings or art & accessories. When it comes right down to it, my style is not such an easy target to hit. I love a white-painted floor and exposed rafters, but it has to be appropriate to the structure and it’s location. I’m partial to clean masculine lines and modern details, but currently I live in, and celebrate, a turn-of-the-century house so my “look” has become a tad traditional in recent years. And, of course there is the small detail of budget. I love what I have but if $ were no object, I’m sure things would look a tad different in my house.
January 8, 2013
Not just a pretty face… Neal Beckstedts interiors are as easy on the eyes as he is. He describes his style as “modest luxury”. The Manhattanite creates spaces that are modern yet warm, layered but clean and has worked with high profile clients like fashion star Derek Lam. A self-described “farm boy from Ohio,” Beckstedt says that his home state has had a major impact on his mind-set. Neal worked with S. Russell Groves for almost a decade before opening his own studio in 2010. Authority, functionality, and a Scandinavian-style appreciation of how natural light enriches such honest, straightforward materials as nubby wool, polished wood, stainless steel, and velvety plaster are hallmarks of his work. No matter the location Beckstedt’s style always lends itself to interiors for living rather than for simply admiring. Get to know more of Neal on his website: nbeckstedtstudio.com
January 7, 2013
I want one. NO, I REALLY WANT ONE. So much so I might just make one. how hard could it be? Looks to me like you sew two small blankets together and you’re done, Bata-bing Bata-boom! But I have to say the above “slicker” style poncho is very cool – harder to make so I might have to figure out who designed this one and buy it. I don’t remember where this image came from… something makes me think it’s Tommy Hilfiger, I’m not always a fan of his but this poncho rocks. A Bing or Google search came up with some great alternatives…
Theres even a poncho for people in wheelchairs at buckandbuck.com!
Who wants to help me sew one? Stay tuned…
January 3, 2013
Facebook is a crazy and great place. It’s where friends are made, kept, re-made, and where family, friends stay in touch and sometimes friends of friends of friends turn into friends. Bill Ingram is someone I have never met, but I’m friends with a member of his staff and now we are acquainted via Facebook. His work is some of the best I’ve seen in a very long time. Bill’s work can have a whimsy, but it’s not silly, It says quality and luxe without being unnecessarily extravagant, it’s updated and fresh but it has the look that it might have been there forever. Frankly his work is so top-notch, I’m fearful that I won’t do it justice. Enjoy these images and click over to his website to see more of his beautiful work.
Enjoy more of Bill’s work here: http://billingramarchitect.com
January 2, 2013
Some day I’ll have a summer-house, and in it a small WHITE KITCHEN. Not a trophy kitchen, just a simple white kitchen, with cutting board countertops and painted floors. My big splurge might be a soapstone or farmers sink, and maybe inset doors on my base cabinets, that is of course they need replacing. I’m hoping for funky, old and paintable. Easy feeling and relaxed… I might even paint the cabinets taupe, who knows… inside glass cabinets could end up a color… if it’s really tiny, I might put a shelf in front of the window…...but it will be white, easy and casual. I want to feel relaxed in my summer (all year) escape and for visitors to feel like they can exhale. Til then, I’ll keep dreaming.
January 1, 2013
The white painted brick, white beams, black floor… yes please. The painted ceiling and brick, although painted white offer great texture and depth. Most people think of black and white interiors as pretty last-luster but this pallet is the perfect back drop for and lets art and furnishings stand out.
ALL WORK BY: http://www.davidhowell.net
December 28, 2012
With a few extra days after Christmas and my Mom still in town exploring Boston was the perfect thing to do and what treasures Boston has, among them the Museum of Fine Art or MFA. Always a pleasure, I find myself drawn to the Americas wing. Fine and decorative arts spanning decades are displayed so beautifully and the range from crude and rustic to deco and even modern is so thorough. The museum feels intimate although quite large. I loved the details shown in each of the dining chairs they have on display from different manufactures across the nation most from the late 1700’s, similar in many (most) respects considering the distance between furniture makers, these chairs point of origin are all different but clearly what was in vogue at the time had the strength of popularity to in force certain details… trendy if you will: The carved and bowed leg, the claw and ball foot. Aren’t these chairs beautiful?